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New Nomad Theatre (The)
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Contact Information
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Basic Information
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Bishopsmead Parade |
Membership Theatre |
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Year Ending 31st Aug - 2012 |
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Productions
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Report on Year The year has seen no real surprise in our normal way of working. We have a building program to extend the theatre and full planning permission is being applied for within the next few months. We then have to go out to get the funding to build, no easy job in the present financial climate. However we have done it before and we can do it again. We raised £300.000 to build the present building. The forthcoming year will see a recruiting drive to attract young people into the theatre. This has already started with the production of The History Boys which was very successful, and had a director aged 18, a sign of the times! Our fund raising takes place annually to produce our Play in a Week and due to the hard work of the volunteers we are able to commit £8.000 to the project. We have played host to a number of other groups who have provided us with Musicals, Drama and Dance over the year. Our monthly lunch club aptly named Prompt Corner continues to prosper and provides a meeting place for discussion and fellowship, which is ideal for a number of our retired members. To start off the New Year we have a production of Rent as part of the drive to attract younger members with excellent ticket sales and promises to be a great success. |
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Year Ending 31st Aug - 2011 |
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Productions
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Report on Year The Nomad year has seen audience levels ranging from 103% for Bugsy Malone (We put in extra chairs) a Nome production, to 30% for Insignificance a Nomads production. In all we mounted 12 productions. We were delighted to welcome a number of newcomers to our ranks including both actors and directors. Our annual “Play in aWeek” goes from strength to strength with well over 50 participants, from the disabled and their carers to those who provided transport and refreshments, not to mention the director and all his crew. This season’s theme was the Olympics and we all learned how to play Boccia, which was one of the sports featured in Going for Gold. The discussion continues as to what to do with the bequest of £220,000 from a deceased member who was with us for 40 years and plans are being considered for the replacement of our bar building at present made of wood.We shall see! Plans for 2011/2012: Productions of: Tonight At 8.30, A Murder Has Been Announced, Babes In The Wood and Arsenic And Old Lace. |
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Year Ending 31st Aug - 2010 |
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Productions
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Report on Year The past year has not been an easy one with one main house production being cancelled due to casting problems. Other shows have not achieve their full potential. The snows of January affected the audience numbers for the pantomime and Death Defying Acts suffered from a computer glitch that showed that it was full and probably from the fact that it was a trilogy. It did however get excellent reviews. In the coming year we are hoping to produce shows with a more popular appeal. Our work with the young has gone from strength to strength with their show Bugsy Malone showing to full houses. We had our usual very successful Play in a Week for the disabled, with over 30 taking part. As we were participating in the London 2012 Open Weekend, the play, Going for Gold, was set during the Paralympics of 2012. Because of the number of theatre groups in Surrey there is a strong demand for good and experienced actors who do not stay within one group but go where their talents are best utilised. In common with other theatres we are not able to produce plays that call for actors of all age groups and therefore a large number of plays are denied us. Plans for 2010/11: Productions of: Rope, Insignificance, Season’s Greetings, The Likes of Us and Cranford |
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Year Ending 31st Aug - 2009 |
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Productions
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Report on Year We tried again to run a weekly cinema club this time aimed at a retired audience. We wanted to show classical films such as Ealing comedies but audiences remained uneconomic and we ceased this in March. The Nomes put on two shows; a short devised piece on global warming shown in the studio then another Toksvig musical Pandemonium in the main auditorium. Both were well produced and the all round standard was high. Play in a Week was our best yet, this time the script was written in advance with the cast?s abilities in mind. Forty adults with learning disabilities rehearsed scenes from Monday to Friday then performed twice at the weekend some acting as backstage crew. They were supported by a large team of drivers, prompters, carers and those who provided teas and lunch. Of our main Nomad shows Rosencrantz and Guildenstern are Dead, Annie, The Government Inspector and Breaking the Code stood out as superb examples of amateur theatre with excellent acting, staging and direction. Tomfoolery was an experiment for us, a show in August, in the studio with a mini stage and space for 50 seats. It proved to be worthwhile. Although our shows this year earned more money than last year we made an overall loss as the gas and electricity bills were so high. Plans for 2009/2010: Productions of: A Man for all Seasons, Musical Comedy Murders of 1940, Puss in Boots, A Streetcar Named Desire and Educating Rita |
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Year Ending 31st Aug - 2008 |
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Productions
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Report on Year We started last year with a stage 'spin-off' from a TV series, 'Allo, 'Allo. BLOS put on a one night Old Time Music Hall but sadly didn't get much of an audience. Taking Sides followed which was beset with casting problems, but on the night, no-one would have known it. We offered 4 film matinees over the Christmas holidays, aimed at a youthful audience but we didn't get the crowds needed. One film we picked turned out to be on television the day before! January is panto time (every other year) and 2008 saw an original show Aladdin and the Standard Lamp. Camille the Camel stole the show and a nice touch was the principals appearing in the front lobby at the end of the matinees. March saw The Gift of the Gorgon - a very impressive staging of a rarely performed work. We then had a studio production Coping & Hoping. This was a new work, the first by Sam Ruffles, and was very well received by all who saw it. Then followed our friends from Bookham Light Opera with a production of the well-known Gilbert & Sullivan operetta; The Gondoliers. In May we had yet another new work, Viva! La Costa written & directed by Pip Burley. No show in June but as soon as July started The Nomes presented Shake Ripple & Roll, directed by our tutors, Nina Holmes & Mel Hyde. Three weeks later and it was time for Play in Week, this year The Archivist. To round off the year there was, at the end of August, Adam and Eve... and Eric. After various false starts, we ended up performing it as a radio play. Plans for 2008/09: Productions of: Hotel Paradiso, Rosencrantz & Guildenstern are Dead", Annie, A Government Inspector, My Fair Lady, A Streetcar Named Desire and Breaking the Code. |
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Year Ending 31st Aug - 2007 |
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Productions
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Report on Year The season proper began with The Lion in Winter. We should then have seen Art, but due to unforeseen circumstances this was put back until later in the season. So there was a gap in the programme until A Christmas Carol in January. This was going to be followed by Waiting in the Wings but we were unable to find the necessary 18 actors to take part! A quick rethink resulted in Separate Tables. We then had a film night in February. Previously we have had to hire both projector and screen for such an evening but with our own projector bought (with a grant last year) and a screen acquired (allegedly half of the one from the Southend Odeon) we are now self-sufficient! A new venture, another society (local group, Bookham Light Operatic Society) joining us en-block, resulted in a two-night production of The Mikado in April. We hope to have the BLOS back with us, again, in the near future. We then, finally, had Art, rescheduled to May, and the end of June saw the junior group in The Lion, the Witch & the Wardrobe. We now have a new main tutor and organiser for our junior group, Nina Holmes, and under her direction we hope the youth contingent of the theatre will go from strength to strength! July has now become the time for Play in A Week and this year it was The Key with two performances to cope with audience demand! Plans for 2007/2008: Productions of: ?Allo ?Allo, Taking Sides, The Gift of the Gorgon and Viva La Costa, a new play by Pip Burley, producer of A Touch of Frost |
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Year Ending 31st Aug - 2006 |
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Productions
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Report on Year An ambitious setting for Noises Off ? trying to get 6 doorways into a six-metre wide stage, with room for a window ? started off the autumn season. Our revolving stage came into its own. As part of the Mole Valley?s Arts Alive 2005, we hosted a seminar on ?Set Design for the Small Stage? which proved very worthwhile for those who attended. Amadeus also made constant use of the revolve as did Snow White and Kiss of Death. The mechanism is now starting to wear out and we need to plan for expensive and possibly lengthy repairs since it will need to be completely dismantled leaving a large hole in the stage! Health & Safety issues have taken up a lot of time with our insurers insisting on an enormous amount of paperwork. An external tutor gave a one day seminar on Risk Assessment in the Theatre which benefited our keener members. Our children?s group continues to flourish with over 100 youngsters receiving tuition each week, but we are running into increasing difficulty in finding parents who are willing to undergo training as a chaperone to comply with Local Authority requirements. We were unable to run summer holiday classes because of lack of adult backup. Plans for 2006/7 Productions of: The Lion in Winter, Art & A Christmas Carol. Play in a Week is already scheduled for July 2007 |
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Year Ending 31st Aug - 2005 |
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Report on Year Our autumn season began with us hosting the Southern Region Conference and Barefoot in the Park as the last night entertainment. A new committee has been active in trying to attract new members and directors. Regrettably, our Technical Director, who had pro-theatre experience had to move away from the area as a result of a new job. Our lovely ?new? theatre is already showing its age with one wheelchair lift needing expensive repairs. The next unwelcome expense is replacement of all the flying lines, which are starting to deteriorate. The new Licensing Act has involved a lot of extra paperwork but we have obtained our licence without any problems. Two members have had to get Personal Licences to supervise the sale of alcohol in the bar. Going back to college after a 40-year break was an interesting experience for them. We continue to support accessible theatre. As well as our, now, regular ?Play in a Week? we have also run acting workshops especially for disabled actors. These were very popular and will run again in the forthcoming year. Happily this sort of activity can attract significant grant aid which helps to defray the cost of the events. Studio productions in the intimate rehearsal room have re-started, with great artistic success. We have also had a number of successful social evenings to try and restore the club atmosphere. Plans for 2005/6 Productions of: Noises Off, Amadeus and Snow White & the Seven Dwarfs. Play in a Week is already scheduled for July 2006. |
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Year Ending 31st Aug - 2004 |
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Productions
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Report on Year Although we staged fewer productions than in the previous year we have some exciting shows, in particular the production of Henry V with a cast of 34, mostly men. All the productions were on our main stage. Thence the low number of seats sold for Steel Magnolias which was originally intended to be a studio production. With all the other activities in the theatre the rehearsal room, our studio venue, was needed for rehearsals for shows in the theatre and also festival entries elsewhere, Young Nomad activities, an increased number of children's workshops and inclusive projects involving actors with disabilities. Our children's workshops were redesigned, each session lasting two hours with two tutors. The numbers increased from 35 to nearly 100. During the summer holidays two week long courses were run and introduced more young people to the theatre. The Young Nomads have continued to provide plenty of help with most productions as well as holding their own weekly activities; they now also have a weekly dance workshop. The activities involving actors with disabilities have expanded and have included a series of workshops for beginners, a play mounted in a week, the sixth year, and a further show staged by a group participating in the National Theatre's Shell Connections project, presenting a new play by Patrick Marber. A group of our members of retirement age have started recording short radio plays to be added to each edition of Surrey's Talking Newspaper. Members of all ages played a major role in the production of a community play, The Wey We Were, organised by two local borough councils and presented in the Farnham Maltings and the Nomad Theatre |
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Year Ending 31st Aug - 2003 |
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Productions
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Report on Year After much discussion we have embarked on a programme of improvements to the theatre. The flat roof on the Rehearsal and Green Room has been renewed and these rooms re-decorated. We have also replaced the heating system, which apart from keeping the audience warm, also means the bar staff have access to hot water. The bar area is also about to be decorated. The cost of this work amounted to nearly ?6,000 which was met from our reserves. As a Society we have always tried to budget for a profit each year. As a result over the years we have accumulated a reasonable reserve to meet just such commitments. We continued our policy of entering One Act Drama Festivals and again met with success at Richmond. This was an interesting experience, as we had to act on a thrust stage rather than our proscenium arch. With only one hour of rehearsal permitted it was an interesting challenge having to change many of the moves. The prompt found it particularly challenging, as she could not see the actors. Last year we were concerned about the effects of the opening of the City's 510 seat Gala Theatre. That theatre has been beset by numerous financial and organisational problems. They now appear to have virtually given up on drama and concentrating on using it as a concert and one night performance venue. Fortunately our audience remained very loyal and the average capacity was only slightly reduced at 84% (last year 88%). We are now considering a number of new initiatives to boost audience numbers. We are now planning our 75th Anniversary Season for 2004, which will be a programme of revivals of past productions last seen over 10 years ago. In addition, we will be producing a souvenir booklet covering the history of the society, plus comments from producers. In July we are holding a "Floral and Costume extravaganza". This is being funded by a sponsorship drive which has already yielded ?1250. |
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Year Ending 31st Aug - 2002 |
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Report on Year This was the year that we finally settled with the builder after receiving the final part of our lottery grant from the Arts Council of England. At last we own the theatre. Over the four years that we have been in our new theatre we have managed to start building up, from revenue, a reserve fund to be able to deal with any unexpected needs. Although we have had two fewer productions than in the previous year we have still maintained the same level of revenue profit. Success in gaining useful sponsorship for some of our activities has played a part in achieving this. The programme has included an interesting range of productions. We took Popcorn to the Bedlam Theatre for the Edinburgh Fringe and like The Crucible two years ago it was a sell out. Several of our shows have been written by members, including some one act plays, one of which was taken to a local Drama Festival. Our activities have included more children?s drama workshops for 7 to 14 year olds, There are now eight each week. The Young Nomads have played a key part in our main productions, particularly back stage, as well as staging their own production and even trying a little street theatre locally. The number of people attending our monthly lunches with theatre talks has continued to increase and four local disability organisations participated in our annual week long project, involving some 75 members on and back stage. |
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Year Ending 31st Aug - 2001 |
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Year Ending 31st Aug - 2000 |
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Report on Year Starting our second year in our new theatre we wondered if the novelty might wear off, but this has not been the case as the statistics above indicate. Again we have had a varied programme using both our main theatre and our studio space. Several shows have been 100% sold or close to it. To celebrate our second successful year we took our production of The Crucible to the Bedlam Theatre at the Edinburgh Fringe for a week and sold every seat in the 98 seat venue. It was our first visit to the Festival. Our children's workshops have been extended, with a new one on Friday evenings to add to the three on Saturday mornings. There has been an increased interest in our Young Nomads. Indeed, this was exemplified by the number of young men in their summer musical. Our Play in a Week project, with half the cast wheelchair users, is being repeated with larger numbers this year. We received another Access Award, this time from the Mayor of Guildford. We organised our first ever film evening and with the support it received we are now planning to hold them as a regular feature. We have run two training days, one on Mask Theatre run by the Trestle Theatre and another on Radio Play writing. Our one major worry is recruiting enough members to keep such a varied programme going. The only professional we have is the tutor for our children and youth programme. |
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